I'm really pissed off. Yes, you gathered, this is a half-rant, turning into a tip. I just read the opening of a book which apparently has been edited by an editing & proofreading service. Now, I've seen post of the person behind that editing service who regularly leaves out the commas before names when addressing another person, which lead me to conclude the person doesn't know that there belongs a comma. And promptly, in said book, there are no commas before names in dialogue. That book also has an overuse on italics, almost every paragraph contained one -- to emphasise words, which is not wrong, but unnecessary and an editor should know that. I also found an incident of 'Running down the stairs, she pulled on her jeans.' Other situation, same principle. An editor should pick up on that and correct it. In addition to that I came across a lower case letter in direct speech when it should have been upper case, etc. Not happy, I'm not happy at all. You know why?
Because people have their doubts about my being able to edit their ms because I'm not an English native, while that editor is an English native and does it wrongly! I don't offer copy editing and proofing for that reason, I'm still learning, but I'm a damn good editor when it comes to story line and characters. And I know all the things listed above! There! I said it.
As you know I've been criticising self-published authors/books for a while because of the poor quality. A good quality book has everything correct: the characterisation, the story line, the pace and the grammar -- and that with consistency. With all the complaints left, right and centre from readers, authors finally realised they have to work harder and get outside help. But what use is an outside help if they just can't do the job properly? It doesn't help the reputation of self-published book either. The problem is, that everyone can call themselves an editor or proofreader. I did it, too. Editor, that is. But I know my limits and will not go beyond them. Others do and will announce they're proofreaders when in fact, they only spot some typos, but are clueless regarding the real proofreader's job. It angers me that those people take advantage of authors who don't know better.
My advice: learn as much as you can yourself. Let someone knowledgeable check the editor/proofreader, if they have done a good job. Or even better: test them beforehand. They should be able to correct all the things I've listed in the first paragraph. I have a feeling that most authors are just too lazy to learn the tools themselves, shrug it off, saying, but that's why I hire an editor/proofreader. To me, that's not the right way to go about it. The problem is that if you don't know how it's done right, you'll walk into the trap of paying money to an unprofessional. Plus, the more you know, the less an editor/proofreader has to do. Especially the latter should mainly pick up on a few typos or other errors you've made. The basics should be learned by the author and come as naturally as breathing while writing.
Here are some post I did in the past for you to learn the basics every author should know. That would sort out half the complaints readers make:
A rant about the impossible, authors, editors...
On writing, green iguanas, gardening, easy recipes, and other things I encounter. Warning: I rant a lot. Handle with care.
Showing posts with label dialogue attributes. Show all posts
Showing posts with label dialogue attributes. Show all posts
Sunday, June 17, 2012
Wednesday, July 20, 2011
To review or not to review?
When I started out with self-publishing, I promised myself to review every book I buy and read, simply because I knew every authors yearns for reviews. Now, I came to the conclusion that it's better to not do it anymore. The point is, and I know I'll be making enemies by saying this, I've tried a few self-published books and soon switched on my editin- programme in my head, which is a bad sign, really. Of course, being an editor has somewhat destroyed the ability to just read and take in the story, I will admit that. A book must be really well-written, with well-developed characters, a complex story with no holes in them and logical.
If a book fails to fulfil that, I will stop reading and move on to the next. Others might not see those mistakes, but I do. Not saying I've written the perfect book, but moving away from me being an author, to me being a reader, I have high expectations and rightly so. I did have those beforehand and I have stopped reading traditionally published books in the past, but not that many.
My first impulse is to e-mail the author and tell him or her about my concerns, but then you have cases like the infamous author, who couldn't take criticism and hell broke loose. Further on, it's not my responsibility to give constructive criticism; I'm a reader, by buying the book and spending time with it, I've fulfilled what can be expected from me.
Back to me being an author again I feel a little bit in a pickle; if I give a negative review, I might be in danger of getting one in return, just for revenge, or when I give a positive review - despite my dislike of the book - I'd lie and I don't like lying.
In addition to that, pure readers check out the reviewers of a book and indie authors reviewing other indie authors is widely understood as cheating. People automatically assume it's a review exchange. I will also not tell an author anymore that I've bought his or her book, in case I don't like it, I can just walk away, silently, but if I really love a book, I'll be there to support it. And that's a promise.
Disclaimer: I'm an editor for plot and character development, also for dialogue attributes, not for grammar. Although I might correct the odd errors there, too. :-)
If a book fails to fulfil that, I will stop reading and move on to the next. Others might not see those mistakes, but I do. Not saying I've written the perfect book, but moving away from me being an author, to me being a reader, I have high expectations and rightly so. I did have those beforehand and I have stopped reading traditionally published books in the past, but not that many.
My first impulse is to e-mail the author and tell him or her about my concerns, but then you have cases like the infamous author, who couldn't take criticism and hell broke loose. Further on, it's not my responsibility to give constructive criticism; I'm a reader, by buying the book and spending time with it, I've fulfilled what can be expected from me.
Back to me being an author again I feel a little bit in a pickle; if I give a negative review, I might be in danger of getting one in return, just for revenge, or when I give a positive review - despite my dislike of the book - I'd lie and I don't like lying.
In addition to that, pure readers check out the reviewers of a book and indie authors reviewing other indie authors is widely understood as cheating. People automatically assume it's a review exchange. I will also not tell an author anymore that I've bought his or her book, in case I don't like it, I can just walk away, silently, but if I really love a book, I'll be there to support it. And that's a promise.
Disclaimer: I'm an editor for plot and character development, also for dialogue attributes, not for grammar. Although I might correct the odd errors there, too. :-)
Labels:
book reviews,
character development,
critique,
dialogue attributes,
e-book,
Indie author,
plot development,
storyline
Saturday, July 16, 2011
Make your book as good as possible
Writing is hard work. Did someone tell you it's easy? Well, that someone lied. Big time. The transformation from the very first draft to the actual book published is enormous, especially when you're just starting out with your first book. If you are lucky and happy to learn, it will get easier once you've been through the process of rewriting, editing, proofing, etc.
I've read a few self-published books that weren't ready by a long shot and I've stopped reading most of them. Not saying there aren't good self-published books out there, but it looks like I didn't find them yet. I'm self-published myself and I know how hard it is to go through the book over and over and over again until you're sick and tired of the book you once loved, but it's worth it. It's my reputation, my author's name out there and I want the book to be the best it can get. Though, I've learned that I've sold over 1000 copies of the short stories with words missing, stray words and typos I didn't see. I've sort of rushed to publish it, not doing another round of proofing. Luckily, a friend was kind enough to point them out and it's fixed now. He also found quite a few in my novel, even AFTER proofing twice. That said, I can live with typos and missing words, but I can't live with poor character development, continuously use wrong dialogue attributes, plot holes and illogical story lines. Those are things that drive me mad as a reader.
Now, how to avoid things like that, you wonder.
Well, first off, learn the craft. Talent is one thing, but you need the skills to actually enhance your talent. That's what beautiful writing is. See it as a paining with a perfect frame, it will accentuate the painting, if you have a shabby frame it will look odd, drawing your eyes to the ugly frame rather than the painting itself. It's the same with writing, a great story can be disturbed by bad use of grammar or dialogue attributes or plot holes.
I'll take the painting again: imagine you have a person in it and he has an arm where the ear should be, now wouldn't that irritate you? Same goes with writing, when you have plot holes, it disturbs the flow, lets you pause and drags you out of the story, you stop to think where that character came from, where it went and what purpose it might have when it doesn't add to the plot.
Learn as much about writing as you can, try to secure yourself some beta readers, those who are confident in giving feedback. Try not to ask family and friends, unless they know a thing or two about writing and are honest with you. Compare your dialogue with traditionally published books and correct yours. Google is your best friend when it comes to read about 'rules'. Depending on how self-critical you are, you might need three rounds or more of editing and beta-reading. (I went 16 times through my first novel.) Don't ask the ones you've had before, they're now biased. Fresh eyes is what you need.
Be patient, don't rush into it. When you put a book out which isn't ready, you're likely to lose potential readers for your second or third book.
Make your book as perfect as you can. The end customers, your readers, will thank you by not only recommending a book they enjoyed, but also with loyalty.
If you'd like to know more about the journey of my novel No Wings Attached, please read an interview with me here:
I've read a few self-published books that weren't ready by a long shot and I've stopped reading most of them. Not saying there aren't good self-published books out there, but it looks like I didn't find them yet. I'm self-published myself and I know how hard it is to go through the book over and over and over again until you're sick and tired of the book you once loved, but it's worth it. It's my reputation, my author's name out there and I want the book to be the best it can get. Though, I've learned that I've sold over 1000 copies of the short stories with words missing, stray words and typos I didn't see. I've sort of rushed to publish it, not doing another round of proofing. Luckily, a friend was kind enough to point them out and it's fixed now. He also found quite a few in my novel, even AFTER proofing twice. That said, I can live with typos and missing words, but I can't live with poor character development, continuously use wrong dialogue attributes, plot holes and illogical story lines. Those are things that drive me mad as a reader.
Now, how to avoid things like that, you wonder.
Well, first off, learn the craft. Talent is one thing, but you need the skills to actually enhance your talent. That's what beautiful writing is. See it as a paining with a perfect frame, it will accentuate the painting, if you have a shabby frame it will look odd, drawing your eyes to the ugly frame rather than the painting itself. It's the same with writing, a great story can be disturbed by bad use of grammar or dialogue attributes or plot holes.
I'll take the painting again: imagine you have a person in it and he has an arm where the ear should be, now wouldn't that irritate you? Same goes with writing, when you have plot holes, it disturbs the flow, lets you pause and drags you out of the story, you stop to think where that character came from, where it went and what purpose it might have when it doesn't add to the plot.
Learn as much about writing as you can, try to secure yourself some beta readers, those who are confident in giving feedback. Try not to ask family and friends, unless they know a thing or two about writing and are honest with you. Compare your dialogue with traditionally published books and correct yours. Google is your best friend when it comes to read about 'rules'. Depending on how self-critical you are, you might need three rounds or more of editing and beta-reading. (I went 16 times through my first novel.) Don't ask the ones you've had before, they're now biased. Fresh eyes is what you need.
Be patient, don't rush into it. When you put a book out which isn't ready, you're likely to lose potential readers for your second or third book.
Make your book as perfect as you can. The end customers, your readers, will thank you by not only recommending a book they enjoyed, but also with loyalty.
If you'd like to know more about the journey of my novel No Wings Attached, please read an interview with me here:
Labels:
amazon,
beta reader,
character development,
dialogue attributes,
e-book,
Editing,
grammar,
Kindle,
rules about writing,
self-publishing,
story line,
writing tips
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